{"id":1206,"date":"2023-06-30T10:39:05","date_gmt":"2023-06-30T14:39:05","guid":{"rendered":"https:\/\/josegmartinez.com\/?page_id=1206"},"modified":"2026-03-27T16:42:17","modified_gmt":"2026-03-27T20:42:17","slug":"music","status":"publish","type":"page","link":"https:\/\/josegmartinez.com\/es\/music\/","title":{"rendered":"M\u00fasica"},"content":{"rendered":"
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Instrumentos con Electr\u00f3nica<\/strong><\/p>\n\n\n\n

Do I Regret? (2018-2022)<\/a> – Alto Sax, live electronics, and video<\/p>\n\n\n\n

Monologue V: Hidden Story (2021)<\/a> – Bass drum and electronics<\/p>\n\n\n\n

Malfunction (2019-2020)<\/a> – Improvised live electronics performance.<\/p>\n\n\n\n

Piel El\u00e1stica (2018)<\/a> – Improvised hand percussion and Live Electronics. Collaboration with video and dance.<\/p>\n\n\n\n

Burst - [Estallido] (2017-2019)<\/a> – Violin and live electronics.<\/p>\n\n\n\n

La Espiral en Tu Espalda (2014-2015)<\/a> – Found objects (percussion) and live electronics.<\/p>\n\n\n\n

\u00a1Ay, O\u00ed! (2014)<\/a> – Marimba and Electronics (optional marimba de chonta \u2013 Colombian folk marimba). Commissioned by Alejandro Ru\u00edz<\/p>\n\n\n\n

Mon\u00f3logo II (2009)<\/a> – Vibraphone and Live Electronics.<\/p>\n<\/div><\/div>\n\n\n\n

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Ensamble y Electr\u00f3nica<\/strong><\/p>\n\n\n\n

Sinsentido del Absurdo<\/a> (2025) – Four-hand, electronics, and video<\/p>\n\n\n\n

Scribbles (work in progress)<\/a> – Pno, Perc Tpt and electronics. Written for SPLICE ensemble<\/p>\n\n\n\n

Autoretrato (2019)<\/a> – Four performers with four tablets. Live Electronics. Written for Line Upon Line<\/p>\n\n\n\n

They Tried to Bury Us, They Didn\u2019t Know We Were Seeds (2015)<\/a> – Sax, Marimba, and Electronics.<\/p>\n\n\n\n

Guajeos (2018)<\/a> – Four-Hand Piano and Electronics.<\/p>\n<\/div><\/div>\n\n\n\n

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Colaboraciones y Proyectos Interdisciplinares <\/strong><\/p>\n\n\n\n

Cuban Project: Mis Historia, Tu Historia, y Nuestra historia (2022)<\/a> – Full-length show in collaboration with Sarasota Contemporary Dance<\/a><\/p>\n\n\n\n

Orika and the Hippos (2022)<\/a> – Radio theater piece in five episodes<\/p>\n\n\n\n

Atavism(o) (2020)<\/a> – improvised percussion and electronic. A collaboration with dance<\/p>\n\n\n\n

39 Inside [Encontraron 39] (2018-2019)<\/a> – An Interdisciplinary work about undocumented migration. Pierrot ensemble, electronics, video, and dance.<\/p>\n\n\n\n

Se\u00f1ales Malinterpretadas. (2019)<\/a> – Fixed media. A collaboration with visual artist Yuliya Lanina.<\/p>\n\n\n\n

Quimera (2018)<\/a> – For vibraphone, percussion, and electronics. A collaboration with dance and video.<\/p>\n\n\n\n

El Espejo (2017)<\/a> – Fixed media. A collaboration with dance and video.<\/p>\n\n\n\n

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Percusi\u00f3n<\/strong><\/p>\n\n\n\n

Monologue IV \u2013 Bilingualism (2017)<\/a> – Snare Drum Solo. Commissioned by Andy Miller and a consortium of friends<\/p>\n\n\n\n

Images from Macondo (2014 \u2013 2015) – Marimba Solo. Commissioned by Juan David Forero<\/p>\n\n\n\n

Seis Instrucciones para Vibr\u00e1fono (2015)<\/a> – Vibraphone Solo<\/p>\n\n\n\n

Tres peque\u00f1as piezas para Marimba.<\/a> – Marimba Solo.<\/p>\n\n\n\n

Monologue I \u2013 And Justice For All (2010)<\/a> – Marimba Solo. Commissioned by Alejandro Ru\u00edz<\/p>\n\n\n\n

Dos Preguntas Sobre el Tiempo (2016 - 2017)<\/a> – Percussion Quartet. Written for Third Coast Percussion.<\/p>\n\n\n\n

Variaciones C\u00edclicas (2015)<\/a> – Marimba Quartet .<\/p>\n\n\n\n

Suite (2008-2010)<\/a> – Snare Drum Quintet.<\/p>\n\n\n\n

Suamox (2008)<\/a> – Marimba and Vibraphone. Winner of the Colombian National Composition Prize for Young Composers \u2013 2008<\/p>\n\n\n\n

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Ensamble de C\u00e1mara<\/strong><\/p>\n\n\n\n

Voces Olvidadas (2016 – rev. 2023) – Choir, pierrot ensemble, fixed media, and video<\/p>\n\n\n\n

Nobody can do it like <\/a>me<\/a>! (2020)<\/a> – Four-hand piano. Commissioned by Hocket Duo.<\/p>\n\n\n\n

Rechazados (2019)<\/a> – Cello, soprano, and percussion<\/p>\n\n\n\n

Manual de Instrucciones (2016)<\/a> – Piano and Violin. Based on Julio Cort\u00e1zar\u2019s short stories.<\/p>\n\n\n\n

Retratos Desiguales (2016)<\/a> – Saxophone Quartet. Written for Elision Quartet.<\/p>\n\n\n\n

Ciclos Ilegales (2015)<\/a> – Pierrot Ensemble. Written for the Mizzou New Music Ensemble<\/p>\n\n\n\n

Buscando la Clave (2015)<\/a> – String Quintet. Commissioned by Sheldon Concert Hall. St. Louis, MO.<\/p>\n\n\n\n

Tres Aforismos (2014)<\/a> – Clarinet, Cello, and Percussion. Alternate version: Flute, Violin, Cello, and Percussion<\/p>\n\n\n\n

Sobre los Otros (2014)<\/a> – Fl, Cl, Ob, Vln, Vc, Perc, Pno. Written for the Mizzou New Music Ensemble.<\/p>\n\n\n\n

Sobre Uno Mismo (2013)<\/a> – Fl solo, Cl, Vln, Vc, Perc, Pno. Premiered by Taller Sonoro Ensemble.<\/p>\n\n\n\n

Monologue III (2011) – Fl solo and Percussion Quintet. Winner of the 2011 \u201cCiudad de Bogot\u00e1\u201d Composition Competition.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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Gran Ensamble<\/strong><\/p>\n\n\n\n

En el Otro Lado (2019)<\/a> – Orchestra. Premiered by the Orchestra of St. Luke\u2019s<\/p>\n\n\n\n

Ciclos Ilegales (2016)<\/a> – Sinfonietta. Written for wildUp.<\/p>\n\n\n\n

Im\u00e1genes de Macondo (2015)<\/a> – Sinfonietta.<\/p>\n\n\n\n

Danzas T\u00f3rridas (2014)<\/a> – Sinfonietta. Premiered by Alarm Will Sound.<\/p>\n\n\n\n

Interferencias (2013-2014)<\/a> – Orchestra. Premiered by the Orchestra of the University of Missouri<\/p>\n\n\n\n

Mutaciones I (2013)<\/a> – Orchestra. Premiered by the EAFIT Orchestra.<\/p>\n<\/div><\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Instruments and Electronics Do I Regret? (2018-2022) – Alto Sax, live electronics, and video Monologue V: Hidden Story (2021) – Bass drum and electronics Malfunction (2019-2020) – Improvised live electronics performance. Elastic Skin (2018) – Improvised hand percussion and Live Electronics. Collaboration with video and dance. Burst (2017-2019) – Violin and live electronics. The Spiral … <\/p>\n

Continuar leyendo “Music”<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1206","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pc1NYo-js","_links":{"self":[{"href":"https:\/\/josegmartinez.com\/es\/wp-json\/wp\/v2\/pages\/1206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josegmartinez.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/josegmartinez.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/josegmartinez.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josegmartinez.com\/es\/wp-json\/wp\/v2\/comments?post=1206"}],"version-history":[{"count":12,"href":"https:\/\/josegmartinez.com\/es\/wp-json\/wp\/v2\/pages\/1206\/revisions"}],"predecessor-version":[{"id":1466,"href":"https:\/\/josegmartinez.com\/es\/wp-json\/wp\/v2\/pages\/1206\/revisions\/1466"}],"wp:attachment":[{"href":"https:\/\/josegmartinez.com\/es\/wp-json\/wp\/v2\/media?parent=1206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}